Showing posts with label Author: Caldwell (Erskine). Show all posts
Showing posts with label Author: Caldwell (Erskine). Show all posts

Tobacco Road: The Play

Like virtually everyone else in the English-speaking world, I was recently absorbed by the shock-and-awe that is the trailer for Tom Hooper's Cats movie:



I am not here to belabour all of the points that everyone else has already made about this trailer. After the fiasco that was Les Miserables I will not be spending any time on this movie.

However, the trailer did make me pretty curious about Cats. I know the song "Memory" and roughly what the stage show costumes look like and that's basically it. Well, except that I vaguely had an idea that some famous writer was behind it.

So I went down a bit of a Wikipedia rabbit hole.

Cats is based on T. S. Eliot's Old Possum's Book of Practical Cats.

Cats is the fourth-longest running Broadway show of all time.

What's the longest running? The Phantom of the Opera, of course.

But if you scroll down that list of longest-running shows, you may notice something interesting. I recognized everything until #8, which is a revue called Oh! Calcutta!, which ended in 1989 and which I have never heard of before in my life. Contrast that with #7, A Chorus Line, which ended its run a year later but which I have at least heard of a lot of times.

Scroll down even further, and you find #19 is Tobacco Road, and yes, it's the play adaptation of the book.

It's been almost four years since I last mentioned Tobacco Road, because it's not a book I enjoy thinking about and nobody cares about it anymore. So needless to say I was shocked-and-awed to see that an adaptation of it was so popular.

Here are some details, all via Wikipedia of course:
  • The play was first performed in 1933, one year after the publication of the novel.
  • It ran for 3,182 performances until 1941.
  • As noted previously, this makes it the 19th longest-running Broadway show in history.
  • It's also the second-longest run for a non-musical on Broadway.
  • The reviews were negative but it gained an audience after ticket prices were extremely reduced (from $3.30 to $1.10).
  • Various cities and the United Kingdom banned it for being too sensational and immoral.

Anyway, I still don't recommend the book and just reading the synopsis of the play made my skin crawl all over again.

If not for that bizarre Cats trailer, I never would've found this out. It's so fascinating to me that something could've been so popular in its time but is almost completely forgotten now. I bet if you asked 100 people if they've heard of Tobacco Road, only one of them would have, and that one would be me.

Fame, ladies and gentleman. It is a whimsical mistress.

91. Tobacco Road by Erskine Caldwell

Year Published: 1932
Pages: 281 (illustrated!)

First sentence: Lov Bensey trudged homeward through the deep white sand of the gully-washed tobacco road with a sack of winter turnips on his back.

Review:
Seriously can we all just agree that fiction set in the 30s must contain attractive young transients and murder and nothing else?

I'll be the first person to admit that I have a bad case of rose-coloured glasses. I'm nowhere near as socially conscious as I should be. So I feel like kind of a naive ass for giving this book a low rating (to be fair "low" is rather tenuous when there are only three possible ratings...). But I have reasons! Sort of good ones! And I'll tell you what they are.

But first, the plot. The book is about the Lester family, or what's left of it. They're tenant farmers in the early 30s, except that the man they rent from basically abandoned cotton farming for better things about a decade before the events of the book. The Lesters starve and wander and just sort of exude misery all over the pages. I'm not sure how far to get into it. Jeeter is the head of the family, useless for anything except loving the land. Ellie May is 18 and a hopeless case because of her cleft lip. Dude is "simple," 16, and pursued by Sister Bessie Rice, who makes no sense whatsoever. Lov Bensey is married to 12 year-old Pearl Lester, and trying to figure out how to get her and her pretty blonde hair into bed with him, instead of running away whenever he tries to touch her.

The summary of this book is the same as it is for Ironweed, really. That is to say: It was the 30s, and everything was fucking shitty, and then everybody died. Spoiler alert: not everybody dies.

So look, this book made me incredibly uncomfortable, so I guess the author made his point in that respect. It forced me to acknowledge my own luck/privilege, and I suppose literature does have a certain responsibility to do that now and then. But! I felt like the author was being pretty condescending toward his characters, and I hate it when authors do that without any trace of affection. That's almost definitely part of the point here, and once again I'm just a horrible person, but agh. Words fail me. It was just so depressing.

Listen, this is my blog and I'll do what I want. If I rated solely based on the books accomplishing what they set out to do, this one would get 3/3. But as far as the whole reading experience goes, I can't really recommend it, because all it'll do is break your heart, in a bad way. So I've compromised.

Quotations:
Nothing. In lieu of quotations, can anyone direct me to some links or books about "frontier sexuality"? I.e. when and where did Ma and Pa Ingalls get busy, and how did that shape attitudes about sexuality? I promise this is book-related. Read it, and I think you'll see I'm making the best out of a bad situation by being curious about this. -M.R.

Rating: 2/3 (meh)